Archive for the ‘origami corrugations’ Category
Flower Instructions, great video instructions for Sun Dial (not mine), Centerfold Pictures, New Curvy Bits-“Merged Curves”
Flower instructions video I made.
The flower combines some aspects of two flowers (one of which is the Lotus flower) and another I think I’ve seen and then modifies and shapes the product. http://www.youtube.com/watch?v=r5eeJScdEQ4
Video instructions for the Sun Dial I originally posted pictoral instructions for were made and posted here http://oqueemeuenosso.blogspot.com/2010/08/origami-modular-relogio-do-sol-sun-dial.html The blog is also great to check out; it has great links and instructions. It is very well done and I always appreciate people making instructions since mine tend to be minimalistic. The blog were it is posted http://oqueemeuenosso.blogspot.com/ .
Centerfold-The organizers really worked hard and so many people praised the bag it wasn’t even funny. So thanks to everyone who is willing to put in the work. Positives-I liked the lack of ticketing, but that may just be personal preference. The hotel let the rooms be used later than initially indicated. The bar was great, drinkable coffee a dollar and if you wanted it with a bit of chemical happiness that was very reasonable. The DJ in the bar was great. They organized shuttles to the exhibit. Negatives-Just the smells in the hotel, it was not clean the smell of stale cigarette smell was overwhelming, but I also am hypersensitive to these things. Indiana reststops scare me I actually took photos in a stall just so I’d have proof of the stuff I saw etched into the stall walls and door. So a thank you to everyone that ran it, I know it’s a boatload of work. To the people I met-you were wonderful, keep playing around. To everyone I should have met but didn’t, hopefully I will some you at some future time. Shar’s presentation of some 5OSME slides reminded James and I how awesome that was. There was a lot of 5OSME people there. The guests were Robert Lang, Tomoko Fuse, and David Brill. Took a cat class with David. Missed Tomoko and Langs classes cause I can’t tell time.
Here are where the Centerfold photos start http://www.flickr.com/photos/christine42/4922078643/
Finally these are some of the curved pieces I’ve been working on. Getting larger is an ongoing challenge of mine, as is thinking of making things decent for display instead of everything being tests and getting distracted by the next shiny idea.
So for some stuff for Singapore I’ve been playing with Sine Curves and this is some of the stuff that are outshoots of that. So the paper I was working on was on rotation and compression limitation of curved corrugations and these are the tests. Eventually I will do a post on the results, but there is still a ton to do.
Where they rotate through has a big difference on the degrees of rotation. I call it spine one and spine two. Spine two goes through the maximum of a spine curve and can be rotated a lot more. The corrugation below is using spine two.
It’s really hard to see but this had some great textural and rotational properties that got me all excited, that and I wanted a choker and matching bracelet out of copper.
I just got back from New York. I arrived Thursday and came back today. I stayed with Adrienne in Brooklyn in a converted garage. Like last year I didn’t take classes, because I taught 5 classes and figured there wouldn’t be time. I missed seeing “Into the Fold” but did get to meet a lot of interesting folks. Interesting talk with Ray Schamp. Added a new face to Yaffa, Goran. Made a “purse.” Slept little, enjoyed my time thoroughly. Saw more of NY than usual. One thing that sometimes gets lost with convention goers is that we are in New York which is a fabulous city and the 4 square blocks around FIT are not where the flavor is. Harassed a bunch of people smarter than me about curvature and promptly “fired” them for not having the answer to my “sortoff” questions, although they both suggested I harass Erik Demaine which I will be doing as soon as I can craft an email that doesn’t make me feel slow. My questions arn’t really concise or clear, simply put I don’t understand enough about curved rotation to understand what is going on.
The people in my box design course did amazing and I was happy that everyone who attended my Labyrnth class understood the technique. Ben Parker’s work has definately progressed and Joel is now working on busts along with the faces. The form of the chest was amazing. Seth has great work and I loved Sipho’s way of displaying models. Goran has started pulling apart and approaching very organic nifty forms. Ana Sofia helped me make two large models for the oversized folding challenge (Two thumbs up for Sok) and disappeared before I could say my goodbyes. Joseph’s perfect piggy “Cleofis” has a lovely spot on my shelf (gracias oh Master JoWu;P.) Michael was the most adorable child ever. Brian Chan is still making amazing models and Alexander Soukas had lovely tessellations. Daniel Kwan is probably the most precise folder ever and has little crease elves helping him. Philip and Christiane were my first picture in NY and it was of their feet!
We took a terrific three hour boat tour on Tuesday, thanks Eric (for everything). A big thanks to Adrienne for her couch and her roommates tolerance of a squatter.
Adrienne and me
Goran, Bernie, Joel
Ape challenge, Sipho, Ben
Oversized folding challenge (Photo also known as “Shri’s Bum”) Ray Schamp
My exhibit (the blue thing is the curvy thing I wanted to ask questions about)
There were a bunch of things I sadly didn’t get photos of as I was rushing to do this before heading off to teach, so for the pictures I missed sorry and for everyone I had great conversations with thanks.
More photos here http://www.flickr.com/photos/christine42/
The photos are tagged “ousa 2009”
See you next year (maybe)
So to be blunt this is a very expensive book, 75 dollars to be precise, although you can now get it on amazon for $44. Even with a discount it is a heavy hitter for price. The fact is it is quite fascinating. As someone who is fascinated with both costume design (I started out as a theater major, worked in the costume department of a theater and have been a dresser for shows) and tessellations/corrugations this book scratches both itches.
Isabelle is a Belgian artist whose work is immaculately detailed. It is not strictly origami, but is a glorious fusion of paper, paint, thread, and the human imagination. Her work is detailed recreations of historical garments; she makes “silk” hankerchiefs out of paper, she paints the paper until it, as an alchemist’s dream, becomes sumptuous cloth. The wigs are folded freehand it appears, and her pleated Silk Fortuny ‘Delphos’ dress with veil and gold leaf necklace is a masterpiece (plate 49). To most folders her bracelet (plate 46) will be very familiar. My personal favorite is plate 29 which is a tunic decorated with hand painted flowers, from and allegorical figure from the painting Primavera by Botticelli. It is art as clothing as paper, my head spins with its fabulosity… I recommend checking out this artist’s work. It is a surreal collection of beauty and astounding attention to detail. The pics below are from the traveling exhibit that has been shown all across Europe.
As I never leave anything well enough alone I’ve been playing with a prior test. “Degrees of Freedom” is testing the rotational capacity of a curved corrugation. I’m trying to think of an easy way to create an automata to create the nifty curves that can arise when playing with this. Below the blue piece is an assortment of stuff that peaked my interest, but never got beyond that. Tests are everywhere, finished pieces rare.
The one I most want to play with is the yellow design. It was interesting how it collapsed. The orange piece I liked, it stems from a series of layers I explored in the hexagonal world, but sadly ignored in the square based world. The main reason I never continued was the number of iterations I would have to do. The rectangle tess is interesting, because it is very simple. It is a modification of a basic hex twist.
Playing around lately, a little slow at doing things. Non uniform deformation and intentional partial crumpling. Wicked strong. I stood on it with my foot and it didn’t crush. The tighter the compression the stronger the structure.
Daniel MacGibbon, an architecture student, has a website where he is exploring origami as an integral part of architectural design. He has his abstract listed and has pictures of his explorations. While not extensive I think this site is definitely worth checking out. http://designstudio5.blogspot.com I think that the exploration of geometry in design (which has been significantly increasing) will radically change architectural design (along with structural integrity explorations), furniture design, etc… Daniel is also on flickr under his own name.
This is one of those folds that is so simple that I suspect it has to have been designed before. What I really like about it is it’s strength and good use of paper. Its 3 in high and a 3.5 by 3.5 inch. Given that this vellum started out as a regular 8.5×11 cut into a 8.5 inch square I think the space that is kept is great and it is very strong, as demonstrated
As is usual if this has been done before please post applicable information and a link if possible.
Instructions start here
Also I am posting a really rough first draft of a pillow based off the Oceania Box. Eric’s comment about made me think about some earlier faux suede I tried tessellating this summer. I think I may have to suck it up and buy some real suede or leather to get the body that I want for the design.
The faux suede does not have enough body to hold the separated to curve the pleats. Freehanding the ironing not a good idea. My eyeball isn’t that good. I should sew across the base of the pleats before sewing for assembly. When I bought this I was at an upholstery fabric store. I absolutely loved a vivid turquoise blue leather that I saw, this was bought in place of leather cause of cost. I will play with this more when I have time.
http://www.camilladiedrich.se/items.html Go seven spaces down and click-You will see some interesting textile surfaces.
An origami flat pack spoon you fold. Usability I can’t rate, but it is cute. http://www.likecool.com/Origami_Spoon–Design–Gear.html
Small table base origami inspired http://www.likecool.com/Origami_Range_Table–Furniture–Home.html
Not exactly origami, but it does have a related aesthetic http://nymag.com/nymetro/shopping/homedesign/14630/
Below is a piece of mine inspired by a host of things, but predominantly Nishimura circles, Polly, and Phillip’s pulling me down the abyss of curved folding. This came after a box bender. Arrghhhh!
Box bender first few (14 and counting)
Two fascinating weekends and a bunny in a row. Last weekend I was in San Francisco at a lovely event with lovely hosts who were fabulous. I thank everyone involved because you did an amazing job. SF was rainy, but I really enjoyed the Ferry building, a retrofitted building that now has trendy shops and some great foods and treats. The view was breathtaking and calming. Berkley had houses that embodied great craftmanship and farther north the landscape significantly changed and was its own type of wonderful. Pics here http://www.flickr.com/photos/christine42/second page currently.
This weekend I went to SOFA (Sculptural Objects and Fine Arts) at Navy Pier in Chicago. SOFA began with a look into the mind of Bubacco. A genius at glass he created a vision based on eternal damnation and it was ethereal and overwhelming. I was having processing issues I was so excited I was shaking like an overstimulated child at Christmas. It was a rather last minute decision to go and I found it beyond belief (as were the price tags that accompanied many of these pieces of art, including a glass one for $140,000.) Focusing on origami and the designs in that vein or inspirational in that vein tended to be fiber or wood art. There were two panels that were irregularly corrugated and a host of wooden vessels that made me think of a lot of the origami bowl design that is floating out there.
For origami art on a monumental scale one must turn to Kevin Box. An artist out of the Southwest he was there and graciously explained his design philosophy. He creates origami pieces and then casts them in metal. Appropriately placed in front of the window were you can view Lake Michigan was a 15? foot metal origami sailboat supported by “wooden” oars that brought it up to its height. He had near life sized origami horses and origami “sofas.” I have to say that the large origami horse was my favorite. His work and philosophy can be viewed at http://www.outsidetheboxstudio.com/
One of my favorite artists is Nishimura, first introduced to a lot of people on flickr by Ray Schamp. Nishimura creates these circles of movement and energy with precision that is hard to fathom. To my great pleasure I realized that she has changed from strictly straight line designs to creating her circles with curves. I greatly admire her work and running at $1,200-$4,900 at the show she had some of the most least expensive art I saw, but some of my favorite.
On a much more trivial note at dinner at KowKow a restaurant in Chicago that has the most tasty, crisp, and fresh eggrolls available a dollar bill bunny visited. As with all my designs if you have seen it before please state the source and a link with a picture if possible so I can link to it. Redundancy happens. This design is not exceptionally strict so I think that all proportions of money should work. Not exceptionally great from the front, but it is easier than a large percentage of my designs.